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Providence Commemoration Lab

A collaboration of the Providence Department of Art, Culture and Tourism and the Rhode Island Historical Society. Funded in part by the Mellon Foundation and the American Rescue Plan.

Lu Heintz

Through a transdisciplinary practice integrating sculpture, performance and video, Lu Heintz (she/her/they/them) engages feminist ethics of care, labor, and technology. The work develops from feminist and queer histories and often elucidates the conditions of invisible labor, with particular focus on the sensual, affective experiences of the body. Heintz creates sculptures preoccupied with material histories and artifacts such as clothing, furniture, equipment and tools, observing and reflecting the co-constitution of bodies and objects. These projects perforate normative standards and upend paradigms of use-value and ability. Heintz balances artistic endeavors with feminist scholarship and pedagogy, and teaches in the Department of Sculpture and the Division of Experimental and Foundation Studies at the Rhode Island School of Design. Areas of focus include gender justice, antiracism, queer theory, affect, performance studies, and feminist economic perspectives. Heintz has contributed essays to Book Marks (Pressing Concern Books: NY, 2020), Repair: Sustainable Design Futures (Routledge: London, 2023), and Event Scores by Artist-Parents (Rooftop Ins.: Hong Kong, 2023).

Heintz holds a BFA in Sculpture from the Rhode Island School of Design and an MFA in Visual Art from Vermont College of Fine Arts. She has received awards from the National Endowment for the Arts, New York State Council on the Arts, Rhode Island State Council on the Arts, International Sculpture Center and the Sustainable Arts Foundation; and has been a resident at Vermont Studio Center, MASS MoCA, Arts Letters & Numbers (NY), and Baer Art Center (Iceland). Heintz has exhibited at the RISD Museum; Metal Museum, Memphis, TN; Louise Hopkins Underwood Center for the Arts, Lubbock, TX; Strano Film Fest, Capestrano, Italy; and Wedding Cake House, Providence, RI. Her artistic practice has grown from DIY spaces, collectives, community organizing and care webs. Social practices include collaborative zines, educational workshops, mutual aid, feminist Wikipedia editing and intersectional reading groups. She is a founding member of WARP, a mixed-media studio collective in Providence.

Lu Heintz

Through a transdisciplinary practice integrating sculpture, performance and video, Lu Heintz (she/her/they/them) engages feminist ethics of care, labor, and technology. The work develops from feminist and queer histories and often elucidates the conditions of invisible labor, with particular focus on the sensual, affective experiences of the body. Heintz creates sculptures preoccupied with material histories and artifacts such as clothing, furniture, equipment and tools, observing and reflecting the co-constitution of bodies and objects. These projects perforate normative standards and upend paradigms of use-value and ability. Heintz balances artistic endeavors with feminist scholarship and pedagogy, and teaches in the Department of Sculpture and the Division of Experimental and Foundation Studies at the Rhode Island School of Design. Areas of focus include gender justice, antiracism, queer theory, affect, performance studies, and feminist economic perspectives. Heintz has contributed essays to Book Marks (Pressing Concern Books: NY, 2020), Repair: Sustainable Design Futures (Routledge: London, 2023), and Event Scores by Artist-Parents (Rooftop Ins.: Hong Kong, 2023).

Heintz holds a BFA in Sculpture from the Rhode Island School of Design and an MFA in Visual Art from Vermont College of Fine Arts. She has received awards from the National Endowment for the Arts, New York State Council on the Arts, Rhode Island State Council on the Arts, International Sculpture Center and the Sustainable Arts Foundation; and has been a resident at Vermont Studio Center, MASS MoCA, Arts Letters & Numbers (NY), and Baer Art Center (Iceland). Heintz has exhibited at the RISD Museum; Metal Museum, Memphis, TN; Louise Hopkins Underwood Center for the Arts, Lubbock, TX; Strano Film Fest, Capestrano, Italy; and Wedding Cake House, Providence, RI. Her artistic practice has grown from DIY spaces, collectives, community organizing and care webs. Social practices include collaborative zines, educational workshops, mutual aid, feminist Wikipedia editing and intersectional reading groups. She is a founding member of WARP, a mixed-media studio collective in Providence.

Lu Heintz

Through a transdisciplinary practice integrating sculpture, performance and video, Lu Heintz (she/her/they/them) engages feminist ethics of care, labor, and technology. The work develops from feminist and queer histories and often elucidates the conditions of invisible labor, with particular focus on the sensual, affective experiences of the body. Heintz creates sculptures preoccupied with material histories and artifacts such as clothing, furniture, equipment and tools, observing and reflecting the co-constitution of bodies and objects. These projects perforate normative standards and upend paradigms of use-value and ability. Heintz balances artistic endeavors with feminist scholarship and pedagogy, and teaches in the Department of Sculpture and the Division of Experimental and Foundation Studies at the Rhode Island School of Design. Areas of focus include gender justice, antiracism, queer theory, affect, performance studies, and feminist economic perspectives. Heintz has contributed essays to Book Marks (Pressing Concern Books: NY, 2020), Repair: Sustainable Design Futures (Routledge: London, 2023), and Event Scores by Artist-Parents (Rooftop Ins.: Hong Kong, 2023).

Heintz holds a BFA in Sculpture from the Rhode Island School of Design and an MFA in Visual Art from Vermont College of Fine Arts. She has received awards from the National Endowment for the Arts, New York State Council on the Arts, Rhode Island State Council on the Arts, International Sculpture Center and the Sustainable Arts Foundation; and has been a resident at Vermont Studio Center, MASS MoCA, Arts Letters & Numbers (NY), and Baer Art Center (Iceland). Heintz has exhibited at the RISD Museum; Metal Museum, Memphis, TN; Louise Hopkins Underwood Center for the Arts, Lubbock, TX; Strano Film Fest, Capestrano, Italy; and Wedding Cake House, Providence, RI. Her artistic practice has grown from DIY spaces, collectives, community organizing and care webs. Social practices include collaborative zines, educational workshops, mutual aid, feminist Wikipedia editing and intersectional reading groups. She is a founding member of WARP, a mixed-media studio collective in Providence.